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Violoncello

Only very few violoncellos are known from Stainer. Commissions from diverse aristocratic chapels and monasteries reveal, however, that he created a number of these instruments; unfortunately, most of these bass instruments are lost today. One reason for these losses is the fact that, at Stainer’s time, cellos had longer bodies than is usual today. Smaller models were better suited for the difficult chamber and solo music of subsequent epochs, and therefore these overly large instruments ‒ as is the case with the one on display ‒ were reduced in length as well as width. (rh)

Only very few violoncellos are known from Stainer. Commissions from diverse aristocratic chapels and monasteries reveal, however, that he created a number of these instruments; unfortunately, most of these bass instruments are lost today. One reason for these losses is the fact that, at Stainer’s time, cellos had longer bodies than is usual today. Smaller models were better suited for the difficult chamber and solo music of subsequent epochs, and therefore these overly large instruments ‒ as is the case with the one on display ‒ were reduced in length as well as width. (rh)

Manufacturer:
Jacob Stainer (1618/19 Absam - 1683) DNB

Time:
1658

Object Name
Violoncello

Culture
Austria, Absam

Dimensions:
1320 mm x 390 mm x 310 mm

Copyright
Kunsthistorisches Museum, Sammlung alter Musikinstrumente

Invs.
Sammlung alter Musikinstrumente, 1071

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