Save object
You may download and use the image for private purposes. Nutzungsbedingungen & AGBs
To request to use the image for commercial or academic purposes, please send us a reproduction request
Rackett
16th century | anonym
Like crumhorns racketts are played with a double reed - in this case directly blown. The reed is fixed into the upper end of the body and protected by a pirouette against which the player rests its lips. A special feature of the raccett's construction is the greater length of the bore, which, despite the shortness of the instrument, gives it a lower pitch range. This is achieved through nine parallel, interconnected bores within its cylindrical body. The air column responsible for this pitch range is thereby ‘folded’. However, since the finger-holes are not arranged in one line, the player has to contend with very unusual fingerings. (rh)
Lit.:Rudolf Hopfner: Masterpieces from the Collection of Historic Musical Instruments. A Short Guide through the Kunsthistorisches Museum Vienna, Vol. 1, Vienna 2019Ausstellungskatalog: Für Aug' und Ohr. Musik in Kunst- und Wunderkammern, Schloß Ambras 1999, Wien 1999.Julius Schlosser: Die Sammlung alter Musikinstrumente. Beschreibendes Verzeichnis, Wien 1920.

Like crumhorns racketts are played with a double reed - in this case directly blown. The reed is fixed into the upper end of the body and protected by a pirouette against which the player rests its lips. A special feature of the raccett's construction is the greater length of the bore, which, despite the shortness of the instrument, gives it a lower pitch range. This is achieved through nine parallel, interconnected bores within its cylindrical body. The air column responsible for this pitch range is thereby ‘folded’. However, since the finger-holes are not arranged in one line, the player has to contend with very unusual fingerings. (rh)
Lit.:Rudolf Hopfner: Masterpieces from the Collection of Historic Musical Instruments. A Short Guide through the Kunsthistorisches Museum Vienna, Vol. 1, Vienna 2019Ausstellungskatalog: Für Aug' und Ohr. Musik in Kunst- und Wunderkammern, Schloß Ambras 1999, Wien 1999.Julius Schlosser: Die Sammlung alter Musikinstrumente. Beschreibendes Verzeichnis, Wien 1920.
Manufacturer:
anonym
Time:
16th century
Object Name
Rackett
Culture
Germany
Dimensions:
120 mm x 50 mm x 50 mm
Copyright
Kunsthistorisches Museum, Sammlung alter Musikinstrumente
Invs.
Sammlung alter Musikinstrumente, 213
Alte Inv.Nr.:
KK_4038
Schlosser Nr.:
A 224
Browse more
Similar items you might be interested in

Manufacturer: Martin Kaiser 2nd half of the 17th century

Manufacturer: Johann Baptist Merklein approx. 1800

Manufacturer: anonym 2nd half of the 16th century (assigned)

Manufacturer: Hendrik Richters beginning of the 18th century

Manufacturer: Jörg Wier 1522

Manufacturer: André Stein 1819

Manufacturer: Joerg Neuschel 1557

Manufacturer: Michael Leichamschneider 1732

Manufacturer: Anton Meidting December 1587

Manufacturer: Michael Leichamschneider 1741

Manufacturer: Matthäus Seelos 1st half of the 17th century

Manufacturer: Fa. Bösendorfer 1867

Manufacturer: Anton Schnitzer 1581

Manufacturer: Wenzel Kowansky 1749

Manufacturer: Antonio Ciciliano presumably after 1602

Manufacturer: Girolamo de Virchis 1574

Manufacturer: Johann Baptist Streicher 1840


