Save object
You may download and use the image for private purposes. Nutzungsbedingungen & AGBs
To request to use the image for commercial or academic purposes, please send us a reproduction request
Save object
You may download and use the image for private purposes. Nutzungsbedingungen & AGBs
To request to use the image for commercial or academic purposes, please send us a reproduction request
Save object
You may download and use the image for private purposes. Nutzungsbedingungen & AGBs
To request to use the image for commercial or academic purposes, please send us a reproduction request
Save object
You may download and use the image for private purposes. Nutzungsbedingungen & AGBs
To request to use the image for commercial or academic purposes, please send us a reproduction request
Save object
You may download and use the image for private purposes. Nutzungsbedingungen & AGBs
To request to use the image for commercial or academic purposes, please send us a reproduction request
Save object
You may download and use the image for private purposes. Nutzungsbedingungen & AGBs
To request to use the image for commercial or academic purposes, please send us a reproduction request
Bowl in the Form of a Mascaron
ca. 1600; before 1606 (mounting) | Girolamo Miseroni
Rudolf II had a particular affinity to precious stones. He saw them as divine creations that reflected the beauty of the entire world. At the same time he believed in their special healing and otherwise restorative powers. In his Kunstkammer the emperor had some 200 vessels of such stones as rock crystal, jasper, agate and jade. In 1588 he established his own stonecutting workshop in Prague, although he also continued to acquire works made in the workshops of Milan.






Rudolf II had a particular affinity to precious stones. He saw them as divine creations that reflected the beauty of the entire world. At the same time he believed in their special healing and otherwise restorative powers. In his Kunstkammer the emperor had some 200 vessels of such stones as rock crystal, jasper, agate and jade. In 1588 he established his own stonecutting workshop in Prague, although he also continued to acquire works made in the workshops of Milan.
Workshop:
Girolamo Miseroni (um 1522 Mailand - 1600 Mailand) DNBarrow_outward
Artist:
Jan Vermeyen , (Goldschmied) (vor 1559 Brüssel - 1608 Prag) DNBarrow_outward
Time:
ca. 1600; before 1606 (mounting)
Object Name
Vessel; Bowl
Culture
Milan; Prague (mounting)
Material/technology:
Smoky quartz, gold, enamel
Dimensions:
H. 10,2 cm, L. 16,5 cm, B. 14 cm
Copyright
Kunsthistorisches Museum, Kunstkammer
Invs.
Kunstkammer, 1347
Browse more
Similar items you might be interested in

Two-handled Lidded Vase, so-called Bacchus Vase Girolamo Miseroni late 16th c.

Portrait of a Woman Girolamo Miseroni 3rd third 16th c.; ca. 1610 (mounting)

Half-length Portrait of an African Woman Girolamo Miseroni 4th quarter 16th c.; ca. 1610 (mounting)

Portrait of an African Woman Girolamo Miseroni 4th quarter 16th c.; 1602/08 (mounting)

Shell-Shaped Bowl with Mascaron on a High Foot Girolamo Miseroni ca. 1590/1600

Bildnis eines jungen Mannes J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1891

Madonna mit dem Jesuskind und dem kleinen Johannes J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910

Selbstbildnis im Konvexspiegel Francesco Mazzola gen. Parmigianino um 1523/1524

The Conversion of St. Paul Francesco Mazzola gen. Parmigianino around 1527/28

Beweinung Christi J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1891

Hl. Katharina J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1891

Selbstbildnis im Konvexspiegel J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1891







