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The Innerer Burgplatz in Vienna

Hoogstraten stayed about two years in Vienna (1651/53), working for Emperor Ferdinand III. The latter presumably commissioned this view of the Innerer Burgplatz (inner square of the Hofburg Palace), looking towards the north-west and the Amalienburg wing, which was built for Rudolf II. Hoogstraten reveals his preference for a mixture of painting and reality that deceives the eye in the slip of paper painted as trompe l’oeil with the signature of the painter on the black frame, which is also a deception.

Hoogstraten stayed about two years in Vienna (1651/53), working for Emperor Ferdinand III. The latter presumably commissioned this view of the Innerer Burgplatz (inner square of the Hofburg Palace), looking towards the north-west and the Amalienburg wing, which was built for Rudolf II. Hoogstraten reveals his preference for a mixture of painting and reality that deceives the eye in the slip of paper painted as trompe l’oeil with the signature of the painter on the black frame, which is also a deception.

Artist:
Samuel van Hoogstraten (1627 - 1678 Dordrecht) DNB

Time:
1652

Object Name
Painting

Culture
Dutch

Material/technology:
oak wood

Dimensions:
79 x 84,5 cm
Framed: 81,6 cm × 88 cm × 4,4 cm

Signed
Inscribed at the top of a note: Samuel van Hoogstraten 1652

Copyright
Kunsthistorisches Museum, Gemäldegalerie

Invs.
Gemäldegalerie, 1752

Provenance
Since its creation in imperial possession