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#The Face of Europe
#Art Stories

A timely warning

18 September 2018

During his lifetime Georg Petel, who was born in Weilheim in Upper Bavaria, visited among other places Antwerp, Paris, Genoa, and Rome. After his wanderings he settled down in Augsburg, which at the time was a leading exporter of handcrafted luxury goods

Petel was close friends with the most famous painter of the Baroque north of the Alps, Peter Paul Rubens.

A finely carved ivory sculpture depicting a robust, bearded figure resembling a god, supported by two smaller figures. One figure holds grapes, symbolizing abundance, while the other looks lovingly at the larger figure. The intricate details highlight the craftsmanship of the piece.

Ruben’s example and aesthetic inspired the motifs that wind and twist without end around the vessel. At the centre stands the drunken Silenus, goat-legged satyrs, male and female, struggle to prop him up. Music and dance heighten the collective delirium. Those who indulge to excess risk stultification, coarsening, and inopportune lust.

The artistic interpretation echoes these themes rather than merely soberly representing them. Ivory is a luxurious material; the intertwined, forceful sculptural forms, naturalistic surfaces, and uncompromisingly realistic figures adorn this magnificent drinking vessel.

 

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