Portrait Head of Marc Antonio della Torre (?)
early 16th c.
In contrast to Florence, portrait sculpture in Venice developed hesitantly, as any cult of personality was long taboo. Funerary monuments were the only exceptions. This portrait head of Marc Antonio della Torre perhaps comes from such a context. Small, idealized bronze busts in an antique style, on the other hand, were produced in Upper Italy as collectibles.
In contrast to Florence, portrait sculpture in Venice developed hesitantly, as any cult of personality was long taboo. Funerary monuments were the only exceptions. This portrait head of Marc Antonio della Torre perhaps comes from such a context. Small, idealized bronze busts in an antique style, on the other hand, were produced in Upper Italy as collectibles.
Time:
early 16th c.
Object Name
portrait head; bust
Culture
Padua
Material/technology:
Bronze
Dimensions:
H. 28,5 cm, B. 22 cm, T. 23 cm
Copyright
Kunsthistorisches Museum, Kunstkammer
Invs.
Kunstkammer, 6017
Browse more
Similar items you might be interested in
Tabernacle Door with Man of Sorrows, Annunciation and Trinity Antonio Averlino, gen. Filarete ca. 1440
Kurfürst Friedrich I. Sohn des Ludwig III. von der Pfalz around 1450. Gauntlets: around 1475/1485.
Ganzer Feldharnisch, Armatura alla Francese; Ein Paar Streiftartschen; Reiterharnisch (Küriss) J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1892
Manufacturer: Antonio Ciciliano 2nd half of the 16th century
Manufacturer: Antonio Ciciliano 2nd half of the 16th century
Manufacturer: Antonio Ciciliano presumably after 1602
Maximilian II. (1564-1576), Kaiser vor 1552
Ferdinand II. (1564-1595), Erzherzog von Österreich und Landesherr von Tirol 1559/60
Die Dogana in Venedig J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1891
Ansicht von Venedig J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910