Save object
You may download and use the image for private purposes. Nutzungsbedingungen & AGBs
To request to use the image for commercial or academic purposes, please send us a reproduction request
Old Man
around 1625/1626 | Jan Lievens
The well-lined face with beard, sparse hair and cautious look is part of a series of half-length studies that Jan Lievens painted around 1625. During his Leiden period, Lievens collaborated closely with Rembrandt, presumably sharing his studio with the young master. Particularly striking is the stylistic and thematic proximity of this early painting to the contemporaneous works of Rembrandt. The reduced range of colours already announces the stylistic transformation in Lieven’s work that occurred around 1628.

The well-lined face with beard, sparse hair and cautious look is part of a series of half-length studies that Jan Lievens painted around 1625. During his Leiden period, Lievens collaborated closely with Rembrandt, presumably sharing his studio with the young master. Particularly striking is the stylistic and thematic proximity of this early painting to the contemporaneous works of Rembrandt. The reduced range of colours already announces the stylistic transformation in Lieven’s work that occurred around 1628.
Artist:
Jan Lievens (1607 Leiden - 1674 Amsterdam) DNBarrow_outward
Time:
around 1625/1626
Object Name
Painting
Culture
Dutch
Material/technology:
oak wood
Dimensions:
Overall: 53,5 cm × 47,2 cm × 1,5 cm
Framed (gallery frame): 67 cm × 61 cm × 6,5 cm
Copyright
Kunsthistorisches Museum, Gemäldegalerie
Invs.
Gemäldegalerie, 741
Provenance
1730 documented in the gallery (supposedly 1651 from Brussels);
Browse more
Similar items you might be interested in

Männerbildnis J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910

Alter Mann J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1891

Bildnis eines jungen Mannes im Blumenkranz J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1891

Portrait of the Painter in a Fur Coat with Gold Chain and Earring Rembrandt Harmensz van Rijn about 1656/57

Titus van Rijn (?), the Artist’s Son, Reading Rembrandt Harmensz van Rijn about 1656/57

Die Judenbraut J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910

Der Jude J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910

Kirmes J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910

Der Gelehrte J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910

Der reuige Petrus J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910

Bildnis eines Rabbiners J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910

Lachender Kopf J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910

Die Blendung Simsons J. Löwy, K. und K. Hof-Photograph, Kunst- und Verlagsanstalt (Wien) 1888 bis 1910






