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Diana with Nymphs and the Day’s Kill

1650 | Jan Fyt

Here the chaste deity, Diana, and her nymphs relax at the end of a successful day out hunting: she has placed a triumphant foot on a slain roe buck. The crescent on her forehead identifies her as the goddess of the moon. She is the protectress of women and girls, mistress of animals, and goddess of the hunt; but as she remains unmarried, she also symbolizes freedom without boundaries. The boisterous greyhounds best express her joie-de-vivre. The artist was inspired by van Dyck’s rather than by Rubens’ ideal of beauty.

Here the chaste deity, Diana, and her nymphs relax at the end of a successful day out hunting: she has placed a triumphant foot on a slain roe buck. The crescent on her forehead identifies her as the goddess of the moon. She is the protectress of women and girls, mistress of animals, and goddess of the hunt; but as she remains unmarried, she also symbolizes freedom without boundaries. The boisterous greyhounds best express her joie-de-vivre. The artist was inspired by van Dyck’s rather than by Rubens’ ideal of beauty.

Artist:
Jan Fyt (1611 - 1661 Antwerpen) DNB

Time:
1650

Object Name
Painting

Culture
Flemish

Material/technology:
Canvas

Dimensions:
207 cm × 291 cm
Framed (gallery frame with inscriptions): 221 cm × 304,5 cm × 7 cm

Signed
Inscribed in the bottom centre: Ioannes. Fyt 1650

Copyright
Kunsthistorisches Museum, Gemäldegalerie

Invs.
Gemäldegalerie, 706

Provenance
Collection Leopold Wilhelm