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#I am Mary
#Art Stories

A sea battle of consequence

10 May 2017
Madonna of the Rosary

Madonna of the Rosary, around 1603, Inv. Nr. GG 147

A cool niche was set aside for me in this church. The flame-red curtain above my head was a last-minute idea and draped around the colossal column to my right. In this way the organisers lend a light, warm and pleasant tone to the ceremony in my honour.

I ascended my throne holding my child tightly; I did not require, indeed would not have accepted help in mounting the steps.

I know the gentlemen attired in black and white gowns well, and generally we work together harmoniously.

So it is to be today, even though the bright spotlights do blind a bit.

A mother holding a baby, both looking gently towards a man kneeling before them. The man appears to be in prayer or supplication, with his hands raised. The scene is bathed in warm tones, conveying an intimate and solemn atmosphere.

My son is lively; he has just learned to stand up and to walk. Right from the beginning, his powers were a mystery to me. I like it when he places his small hand around my neck, when his blonde locks gently brush my face, and when I hear a slight rumbling in his plump belly, though this does not seem to cause him any pain.

Thus I can devote myself to the people surrounding me. St. Dominic stands below to the right and casts me a rather bewildered glance. Still, he does his job consummately distributing rosaries to those kneeling at his feet. Nevertheless, just to be sure, I indicate energetically his task.

He understands.

Pope Pius V instituted the feast of the rosary following the Battle of Lepanto to recall the astounding victory of the Christian powers of the Mediterranean over the Ottoman Empire.

That is why I am here. And this is what those visit and regard my picture are meant to recall. Just to be sure, Peter the Martyr, the monk on the other side, reminds you too of my commission. He showed his devotion in the customary manner of the saints: the axe which once struck his brow completed his martyrdom.

I am satisfied: my instruction not to speak is being followed. Even the small child in its mother’s arms is solemn and still.

Let your hands, arms, faces and limbs speak!

The image depicts two cloaked figures in dark robes, one with a long beard and a concerned expression, while the other has a somber look. The man gestures with his hand, suggesting urgency or warning. The overall mood is tense and dramatic.
A scene depicting several figures in prayer. Two children kneel beside an adult, who appears to be presenting something with a solemn expression. The atmosphere conveys devotion and reverence, focusing on the interaction and emotional connection among the figures.

One person however does not quite fit in. From here above I can only just make him out, there where he seeks the protection of St. Dominic. One does not like to speak of money here. He is looking at you, but I shall not reproach him.

On the contrary: I thank him for his efforts, for it was probably he who brought me here by paying my creator (forgive the unsaintly play on words).

And Caravaggio found exactly the right colours in Naples.

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