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St. Michael Vanquishing the Devils

around 1664 | Luca Giordano

When some of the angels rose up against God, the Archangel Michael cast them into the abyss of hell. The distorted faces of the defeated angels (now become devils) crying out in desperation demonstrate the crass realism of the Spanish-Neapolitan court painter Jusepe de Ribera. Ribera’s palette, in turn, was influenced by Venetian painting, and this can be seen in the subtle coloration of St. Michael. It is not known for which church the altarpiece was originally intended. In the late 18th century it was taken from Vienna’s Minorite Church to the imperial picture gallery.

When some of the angels rose up against God, the Archangel Michael cast them into the abyss of hell. The distorted faces of the defeated angels (now become devils) crying out in desperation demonstrate the crass realism of the Spanish-Neapolitan court painter Jusepe de Ribera. Ribera’s palette, in turn, was influenced by Venetian painting, and this can be seen in the subtle coloration of St. Michael. It is not known for which church the altarpiece was originally intended. In the late 18th century it was taken from Vienna’s Minorite Church to the imperial picture gallery.

Artist:
Luca Giordano (1634 - 1705 Neapel) DNB

Time:
around 1664

Object Name
Painting

Culture
Italian, Neapolitan

Material/technology:
Canvas

Dimensions:
419 x 283 cm

Signed
Inscribed at lower right: IORDANVS. F

Copyright
Kunsthistorisches Museum, Gemäldegalerie

Invs.
Gemäldegalerie, 350

Provenance
documented in the gallery since 1785