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Isabella d’Este

1600/1601 | Peter Paul Rubens

While in Mantua, Rubens copied two portraits that Titian had painted 70 years earlier of Isabella d’Este (1474–1539), who was known for her patronage and passion for collecting. One of them, of which the original has been preserved (Inv. No. GG 83), depicts Isabella as a young woman; the other, of which the original has been lost, depicts her dressed in a red velvet garment when she was about 50. The present painting is Rubens’s copy, in which he emphasised the brilliant appearance and well-endowed femininity of the Renaissance princess in the style of the Baroque.

While in Mantua, Rubens copied two portraits that Titian had painted 70 years earlier of Isabella d’Este (1474–1539), who was known for her patronage and passion for collecting. One of them, of which the original has been preserved (Inv. No. GG 83), depicts Isabella as a young woman; the other, of which the original has been lost, depicts her dressed in a red velvet garment when she was about 50. The present painting is Rubens’s copy, in which he emphasised the brilliant appearance and well-endowed femininity of the Renaissance princess in the style of the Baroque.

Artist:
Peter Paul Rubens (1577 Siegen - 1640 Antwerpen) DNB

Time:
1600/1601

Object Name
Painting

Culture
Flemish

Material/technology:
Canvas

Dimensions:
101,8 cm × 81 cm
Framed: 125,5 cm × 106 cm × 9 cm

Copyright
Kunsthistorisches Museum, Gemäldegalerie

Invs.
Gemäldegalerie, 1534

Provenance
From Rubens' estate; Coll. Leopold Wilhelm;