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David with Goliath’s Head

Condensing the biblical story of the David’s victorious struggle over the giant Philistine general Goliath, Caravaggio interprets it in a personal way: he shows a melancholy victor who seems to reflect both on himself and his victim. Despite the smooth surface (wood as a painting surface is unusual for Caravaggio), the stylistic proximity to “Madonna of the Rosary” and other works of Caravaggio from his Roman period can be seen.

Condensing the biblical story of the David’s victorious struggle over the giant Philistine general Goliath, Caravaggio interprets it in a personal way: he shows a melancholy victor who seems to reflect both on himself and his victim. Despite the smooth surface (wood as a painting surface is unusual for Caravaggio), the stylistic proximity to “Madonna of the Rosary” and other works of Caravaggio from his Roman period can be seen.

Artist:
Michelangelo Merisi, gen. Caravaggio (1571 Mailand - 1610 Porto Ercole) DNB

Time:
around 1600/01

Object Name
Painting

Culture
Caravaggio and Caravaggesque painting

Material/technology:
Poplar wood

Dimensions:
Overall: 91,2 cm × 116,2 cm × 2,5 cm
Framed: 113 cm × 138,5 cm × 9 cm

Copyright
Kunsthistorisches Museum, Gemäldegalerie

Invs.
Gemäldegalerie, 125

Provenance
Coll. Conte Villamediana (d. 1622); Coll. King Charles I of England; Coll. Imstenraed, Amsterdam; came into imperial possession in 1667